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Growl Launch Party at Moose’s Kitchen

July 6th, 2014 No comments
Moose's Kitchen hosts Growl launch party.

Moose’s Kitchen hosts Growl launch party.

More than 35 guests celebrated the launch of Growl at Moose’s Kitchen on Friday, July 4.

The book launch party also took pride in the vibrant vegan community in St Leonards on Sea and Hastings.

Party goers included folks from the Hastings Vegan Dining Club, local creatives, and friends and neighbours. Zelly Restorick, who profiled me in Hastings Online Times, was among the guests.

Jane, Renee and Davina

Jane, Renee and Davina

Moose’s Kitchen ‘serves healthy, home-cooked meals, made with LOVE: Local, Organic, Vegan and Ethical ingredients.’ Moose and her colleague, Paul, kindly donated and served a variety of starters to the party.

Another local vegan business, Hastings Brewery, generously gave a keg of their Galaxy Pale Ale.

Me saying a few words about Growl standing next to a portrait of Moose in her vegan cafe.

Me saying a few words about Growl standing next to a portrait of Moose in her vegan cafe.

And yet another local vegan business, 1066 Cake Stand, baked a special ‘Growl’ cake! Trevor from the Bay Tree House–the family run vegan hotel in Hastings–also joined in the celebrations.

I welcomed everyone to the party and read part of the section from Growl called ‘Altruistic Love’ (p. 147-149).

My adoption by Boobaa and Honey transformed the anger I felt about animal exploitation through the Magical Connection. My altruistic love for Boobaa and Honey helped me to be a little more at peace with myself and with my presence in the world. These little dogs put flesh and blood on my understanding of what animal rights meant.

It was great to launch Growl with its first party with friends in the town where I now live. For many of us, Hastings and St Leonards on Sea is the vegan capital of the world.

Moose's Kitchen in St Leonards on Sea in East Sussex hosts the launch party for Growl. Photo: Paul Knight

Moose’s Kitchen in St Leonards on Sea in East Sussex hosts the launch party for Growl. Photo: Paul Knight

 

Packed house at Growl Launch Party at Moose's Kitchen. Photo: Paul Knight

Packed house at Growl Launch Party at Moose’s Kitchen. Photo: Paul Knight

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Categories: Books Tags:

Reading Growl

May 31st, 2014 No comments
A box of Growls on the dining room table.

A box of Growls on the dining room table.

I’m reading Growl for the first time as a book. I’ve read it before umpteen times in various incarnations as a manuscript, a work in progress (or not in progress, as the case invariably was). But now that it’s published, holding the finished book in my hands, turning the pages, reading along the lines, well, it’s all a bit strange. It was also strange to see a box of Growls waiting to be opened sitting on the dining room table. All that effort, I thought, grief, anguish, hard work, frustration, self-doubt, self-pity, anxiety…..sitting there in a box.

Of course, it’s all that and much more.

It’s a finished, printed book with my name as the author on the cover. Holding it in my hands for the first time, flipping through the pages, well, it didn’t seem real. ‘Aren’t you excited?’ I was asked repeatedly in the last weeks knowing that this moment was imminent. ‘No,’ I said. And, indeed, I wasn’t. It was anticlimactic. It was surreal. It wasn’t a moment I savoured. There wasn’t any celebration.

It didn’t help that my partner, Gary, was struggling with a horrid cold after returning from two weeks in the U.S. It didn’t help that I also felt I was coming down with the same bug. As it turns out, I was but not as badly. It didn’t help that what has taken to write, produce, and publish Growl has been years, if not decades of work. And now it seems that the book I held was no longer my own. It had a life of its own.

People, I realised, are going to make what they will out of it. And I, the author, will be judged accordingly. Rightly. Or wrongly. For there are things said in Growl which won’t make some people happy. In fact, it’s going to make them angry and, in some cases, further right me off as a sell-out. Others won’t like what I write about their animal rights work. Most likely, there isn’t anything I could say or do that would keep them happy anyway. So, I’ve prepared myself with saying,

You don’t have to like Growl. No one, least of all me, is forcing you or anyone else to agree with me.

At the Bristol VegFest last weekend, one man posed a question after my Growl-themed presentation, well, he made a statement to the effect that people are all shits and we’re all doomed. Tempted as I was to agree with him, I soft peddled it a bit by saying that I understood how he felt and mumbled something about that that way of thinking wasn’t going to get us anywhere. But what I really wanted to say was, ‘Why the fuck did you bother coming to the VegFest if that’s how you felt? Next question, please!’

It’s not going to bother me if people disagree with what I have to say. In fact, I feel even more emboldened to speak the truth as I see it. But if there are truly reasonable opportunities for respectful, rational, and reasonable debate, well, I welcome them.

Meanwhile, as I continue to read Growl–the book, it strangely feels that I’m following the thoughts of someone else but who is a lot like me. Yes, of course, I wrote it, and many people influenced and helped me along the way. I had the great fortune to work with finest of editors, Martin Rowe, who challenged me to do better. But I recall what I’ve heard authors said. Once it’s published, a book has a life of its own.

Have a good trip, Growl. It’s been (mostly) nice knowing you. Now, it’s time for me to take my next voyage of discovery–except that Growl is demanding its promotion and marketing.

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Categories: Animal Rights, Books Tags:

Art and the Making of Animal Rights

May 18th, 2014 No comments

 

The Cry of Nature: Art and the Making of Animal Rights by Stephen F. Eisenman

The Cry of Nature: Art and the Making of Animal Rights by Stephen F. Eisenman

Stephen F. Eisenman is Professor of Art History at Northwestern University, Evanston, Illinois, and author of The Cry of Nature — Art and the Making of Animal Rights (Reaktion; 2013). This is a fascinating read, which, I believe, deserves the attention of advocates and scholars alike who care deeply about animals, and why I wanted to interview him. 

1. What inspired you to write The Cry of Nature – Art and the Making of Animal Rights?

I have been a vegetarian for 25 years and a vegan for about five. In addition, about ten years ago, I started to become engaged in the relatively new research field of Animal Studies.

But the real impetus for The Cry of Nature came in 2008. After publishing a short book about the photographs made at Abu Ghraib prison, (The Abu Ghraib Effect, 2007) I realized that the issue of human rights and animal rights are essentially the same! Animals like humans are sensitive and empathetic. Both require love, freedom and companionship to thrive. Yet both have been systematically denied these things by kings, tyrants, presidents and regular people willing to look the other way. In addition, the great artworks we see in museums generally show dead animals or slabs of meat as both natural and beautiful! I wanted to write a book that would make that violence strange again. I also wanted to highlight the work of artists who rejected violence, anthropocentrism and the turning of sentient beings into mere commodities.

2. The book’s subtitle is ‘Art and the Making of Animal Rights.’ How did artists help inaugurate the animal rights movement?

In the 17th C, the painter Rembrandt rejected the Cartesian distinction between body and soul, and between human and animal. He showed the latter – even in death – as possessing of a soul. So did William Hogarth and George Stubbs in the 18th century, and the French Romantic, Theodore Gericault in the 19th. Hogarth in particular was cited by the philosophers of the late 18th Century who started the modern animal rights movement. Without Hogarth, John Oswald and Joseph Ritson – both pioneers of animal rights – would never have written their books. By the way, the title of my book derives from Oswald’s amazing, radical, but little-read 1791 manifesto, The Cry of Nature – or An Appeal to Mercy and to Justice on Behalf of the Persecuted Animals.

3. Which works by Hogarth do you mean?

William Hogarth, The First Stage of Cruelty, 1751

William Hogarth, The First Stage of Cruelty, 1751

There is of course, his great portrait of his pug dog, Trump! But more important are the great engravings called The Four Stages of Cruelty. The first two prints are a veritable encyclopedia of animal cruelty and were intended to shock the conscience of viewers. And they did! Of all the works he made, Hogarth was the most proud of these.

4. What is your view of 20th and 21st century artists like Pablo Picasso, Chaim Soutine, Francis Bacon, Damien Hirst, and Sue Coe? How did they depict animals?

Kim, that’s a big question, and readers will have to look at my book for an answer. But I will say that excepting Hirst, they all rejected in one way or another the cruel clichés of speciesism. Coe of course is the greatest moralist-artist active today. She proves that you can be both brilliant at your craft (drawing, painting, printmaking) and a powerful force for social change. She has single-handedly made more vegans than all the animal welfare groups put together!

5. Is the focus of your current research animal rights? If so, what can you say us about it?

Yes, I can’t leave it behind. I am writing about animal agency in the late 18th Century and after. In all previous emancipation struggles, the oppressed group has fought for its own freedom. I have discovered that animals – for example the ones brought to Smithfield Market in London — did that too, and that their oppressors recognized it. I know this sounds a bit crazy, but I am a careful scholar and I have the evidence! Rampant bulls at Smithfield killed in order to obtain their freedom. Sheep cried out in such a plaintive way that they attracted human supporters. I am giving illustrated lectures about these subjects at conferences this year in England and the US, so please come and hear for yourself.

But Kim, as you know so well, scholarship is not enough. I am becoming more and more engaged with activism. For me, the one supports the other, and I am trying to teach my students at Northwestern the same lesson. The best scholar is the engaged scholar.

 

PS Here’s a video of Stephen giving a talk to the Chicago Humanities Festival which outlines what he explores more fully in  his book. I find it to be important and fascinating research and analysis that’s relevant to understanding our complex relationship with other animals.

 

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Categories: Animal Rights, Books Tags: ,

Growl’s Foreword by Brian May

May 11th, 2014 3 comments
Brian May

Brian May

It’s my great honour that Brian May has very kindly written the Foreword to Growl. In the last few years, Brian has spoken out against the present UK government’s threat to repeal the Hunting Act and bring back fox, stag, and deer hunting as well as the government’s policy to kill badgers allegedly to halt the spread of TB among cows raised for their milk. He established the Save Me campaign, named after his song, to champion all, but predominantly British, wildlife.

Around the world he is, of course, known and beloved as a founding member of Queen and a world-renowned guitarist, songwriter, producer, and performer. He’s also a Doctor of Astrophysics and an authority in 3D stereoscopic photography. Officially, he is known as Dr Brian May, CBE, PhD FRAS; but to Britain’s wildlife, he’s known as our friend Brian.

Growl‘s Foreword by Brian May

I was honoured to be asked to write a foreword for Kim Stallwood’s definitive book about the journey of men and women towards decency. Did I say ‘definitive’? Yes, I believe this book is important enough to be essential reading for anyone who has begun to listen to what their conscience says, as regards how we, as humans, behave towards the other beings on Earth, whether human or nonhuman.

There is, in human evolution, a time for ideas to germinate and become powerful social movements for change. It is highly significant that Archbishop Desmond Tutu said, in a foreword he wrote for The Global Guide to Animal Protection,

I have seen first-hand how injustice gets overlooked when the victims are powerless or vulnerable, when they have no one to speak up for them and no means of representing themselves to a higher authority. Animals are in precisely that position. Unless we are mindful of their interests and speak out loudly on their behalf, abuse and cruelty go unchallenged.

This, from Tutu, a man who spent most of his life fighting against injustice to blacks, women, and gays, is a signal that our sensibilities are growing up. It is a call to us all to stand up for what most of us believe is right, on a larger stage than ever before.

The fact that you are reading this foreword is probably an indication that you are already in that group of humans who feel profoundly uncomfortable with vast areas of our everyday treatment of animals, and would like to make a change. I count myself in that group. Yet, for most of our lives, busy and ambitious as we are, and concerned with providing for a growing family, we turn a blind eye to that inner dissatisfaction. How can we turn ourselves into an instrument for change towards decency in human behaviour?

Kim Stallwood’s fascinating account of his ongoing journey towards this goal is the best answer to this question I have ever seen. Although Kim is modest and self-critical, his life has already inspired many of us in our quest to give animals a voice. In this book, he chronicles his own passion as he makes a journey that is both real and symbolic, towards true decency. The only good parallel I can think of for his often painful honesty and sharp perception is John Bunyan in his Pilgrim’s Progress. This book explodes many myths and bubbles; it levels all the high ground that many have believed they stood on, and plainly beckons us in humility and simplicity to a better way of thinking, in which we cause no unnecessary pain to any creature. Better than this, it opens the door to a world based on compassion, our greatest hope for us and our children, and our children’s children.

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Henry Salt Died April 19, 1939

April 22nd, 2014 No comments
Henry Salt 1851-1939

Henry Salt 1851-1939

It’s important to remember the passing of Henry Salt in Brighton, England on April 19, 1939. He lived an extraordinary life championing social justice that had at its heart animal rights. He wrote his own eulogy, which was read out at his funeral,

When I say I shall die, as I have lived, rationalist, socialist, pacifist, and humanitarian, I must make my meaning clear. I wholly disbelieve in the present established religion; but I have a very firm religious faith of my own—a Creed of Kinship I call it—a belief that in years yet to come there will be a recognition of brotherhood between man and man, nation and nation, human and subhuman, which will transform a state of semi-savagery, as we have it, into one of civilisation, when there will be no such barbarity of warfare, or the robbery of the poor by the rich, or the ill-usage of the lower animals by mankind.

I’ve written here about Salt on previous occasions (here and here and here) but a wonderful resource about Salt and all things related is here.

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Best Animal Rights Books 2013

January 7th, 2014 1 comment

There were many fine books about animal rights and related matters published in 2013. So many, in fact, that I’ve had to devise two lists: my five favourites and four noble mentions. So, let’s deal with the latter group first. I’m cheating a bit with the noble mentions. I’m reading them or they’re on my to read pile tottering by my side of the bed.

The Cry of Nature: Art and the Making of Animal Rights by Stephen F. Eisenman (Reaktion Books)

The impact of art on animal rights fascinates me. Just started this book and can’t wait to read his study of my favourite living artist Sue Coe.

Animal Oppression and Human Violence: Domesecration, Capitalism, and Global Conflict by David Nibert (Columbia University Press)

This progressive perspective is refreshing in the era of blandness. It will be like a breath of fresh air albeit a strong wind that will knock my thinking sideways—no bad thing.

Defiant Daughters: 21 Women on Art, Activism, Animals, and The Sexual Politics of Meat edited by Kara Davis, Wendy Lee, with a Foreword by Carol J. Adams (Lantern Books)

Carol J. Adams and her books have earned themselves a place in my life in which they have significantly shaped my thinking. Discovering her impact on the lives of others will be interesting.

Entertaining Elephants: Animal Agency and the Business of the American Circus by Susan Nance (Johns Hopkins University Press)

One unfinished project is to write a contemplation about the life of Topsy, the elephant electrocuted to death in Coney Island, NY in 1903. Susan Nance’s book is part of my research.

Onto my top five animal rights books of 2013.

Undercover: The True Story of Britain’s Secret Police by Paul Lewis and Rob Evans (Faber & Faber)

During the 1980s when I organised the campaigns of the British Union for the Abolition of Vivisection and U.K. animal rights movement came into its own with many actions of different kinds, I suspected there were undercover police, agents provocateurs, and corporate spies in our midst but never had the evidence to prove it. At the end of one national demonstration I organised which attracted thousands of protestors, I went to the local police station to check on some activists who had been arrested, and witnessed demonstrators emerge as on-duty police officers as they walked past me standing at the counter, started chatting with their colleagues in uniform, and take off badges from their coats and drop placards onto the floor. Researched and written by two Guardian journalists, Undercover documents Britain’s secret police forces and how they infiltrate and influence not only legitimate social movements like ours but also act morally reprehensibly by initiating long-standing, intimate relationship with activists, including fathering children. Every activist has to read this book and understand that much worse goes on around and among us.

Bleating Hearts: The Hidden World of Animal Suffering by Mark Hawthorne (Changemakers Books)

Mark Hawthorne is a writer of integrity. If he says it, you can trust it. This is why Bleating Hearts is so important and deserves a place on every animal activist’s bookshelf. It’s encyclopaedic in its summary description of all the different ways in which we treat animals. An important resource.

A Theory of Justice for Animals: Animal Rights in a Nonideal World by Robert Garner (Oxford University Press)

Living in an imperfect world, how do we go from moral rights to legal rights for animals? This is the question that Robert Garner, professor of politics at the University of Leicester, seeks to answer. Not everyone will agree with his conclusions and that, I think, doesn’t matter, as we have to have this debate. For example, he writes: “[i]t is my contention that moral obligations regarded as being outside of the sphere of justice collapse, in practice, into the realm of charity and voluntarism precisely because there is a much weaker link with legal compulsion.” (8) (emphasis in original)

This Is Hope: Green Vegans and the New Human Ecology by Will Anderson (Earth Books)

The big picture view of animal rights and veganism and their relationship to environmental protection are the issues explored by Will Anderson, a long-standing social justice campaigner. There is so much to learn from this well-researched book. One of its special attributes that I appreciate is that it presents the problem as well as the solution.

Polar Bear in the Zoo: A Speculation by Martin Rowe (Lantern Books)

Martin Rowe, who is my editor at Lantern Books, is such a thoughtful and provocative writer that I would want to read anything he writes. I read The Polar Bear in the Zoo as an ebook but its richness deserves another read in the flesh, as it were, as a paperback. Prompted by the evocative photography of Jo-Anne McArthur and one in particular of a polar bear in a zoo, Martin Rowe embarks on a journey of contemplation and questioning as to what it means to care and act for animals as well as the relationship between us. “Do we open our eyes and stare or do we look away?” he asks.

Changing the Game: Why the Battle for Animal Liberation Is So Hard and How We Can Win It by Norm Phelps (Lantern Books — ebook only)

This book deserves a wider readership than I fear it has received so far. With precision and insight, Norm Phelps takes a cold hard look at the animal rights movement and our strategies and tactics. His analysis is always insightful and, when necessary, challenging. This is one of those rare books about animal rights strategy that reaches beyond cliches and stereotypes. It breathes wisdom into the discussion that preoccupies activists of all sorts. He concludes with a seven point program to change the game of animal rights advocacy. “And because neither animal rights nor human rights can be achieved alone,” he writes, “we need to set about building a universal rights movement that will win both together.”

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Animal Pasts in Hyde Park

October 14th, 2013 No comments
Although this horse stables in a nearby mews is relatively recent, London's Hyde Park has a long history involving horses and less recently sheep and cows.

Although this horse stables in a nearby mews is relatively recent, London’s Hyde Park has a long history involving horses and less recently sheep and cows.

On Saturday, October 12, I joined with 12 others on a walk, Animal Pasts in Hyde Park, led by historian Hilda Kean in London. This is the second walk I’ve taken led by Hilda. Here is my account of the first ‘Animal Pasts in London’s Landscape Today‘. Among Hilda’s books is Animal Rights. Political and Social Change in Britain since 1800, which I highly recommend.

‘Hyde Park is not just a site of human demonstrations and concerts,’ explained Hilda. ‘It is a space in which animals have also lived, died and been remembered and not only at the Animals in War memorial in Park Lane.’

Seen in the distance are the gravestones of the Hyde Park Dog Cemetery.

Seen in the distance are the gravestones of the Hyde Park Dog Cemetery.

Britain’s first pet cemetery is in Hyde Park. Although we were unable to gain access, the headstones were visible through the wrought iron fence. Hilda writes about the Hyde Park Dog Cemetery on her website:

It was originally called (it also admitted the corpses of three small monkeys, and two cats) was established in 1880 in the part of the huge park that lies adjacent to Kensington Gardens (and opposite Lancaster Gate). Although accounts vary as to the origins of the cemetery – either initiated by the Duke of Connaught or through a favour of the gatekeeper to friends who lived nearby – it is evident that the cemetery was not run for profit but as a philanthropic gesture towards grieving animal owners.

The walking tour also included two cattle troughs, the memorial for a defunct bird sanctuary which featured Epstein’s figure of ‘Rima,’ the bird-girl heroine of W. H. Hudson’s novel, ‘Green Mansions.’ The tour ended at the Animals in War Memorial on Park Lane immediately adjacent and to the east of Hyde Park.

This video is raw footage I shot with my iPad. The Animals in War Memorial is situated in the middle of a very busy road, Park Lane, with each side having at least two lanes of traffic, including many buses and coaches. So, the audio quality is not great but does improve. In any event, it is possible to hear Hilda Kean speak about the memorial and see it and how it is situated.

embedded by Embedded Video

YouTube Direkt

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Marti Kheel and Bloodroot Cafe

September 23rd, 2013 No comments
The Political Palate by the Bloodroot Collective

The Political Palate by the Bloodroot Collective

A recent addition to my animal rights archive was made by lauren Ornelas. She kindly gave me a copy of The Second Seasonal Political Palate: A Feminist Vegetarian Cookbook by the Bloodroot Collective. What is particularly important about this book is that it belonged to Marti Kheel who died in 2011. lauren is like me (and many others) in that we are both big fans of Marti and her innovative work establishing ecofeminism.

Marti Kheel was a prominent writer and activist in the areas of ecofeminism, animal advocacy, and environmental ethics.

Marti wrote Nature Ethics: An Ecofeminist Perspective, in which she describes ecofeminism as a “loosely knit philosophical and practical orientation linking the concerns of women to the larger natural world. More specifically, ecofeminism examines and critiques the historical and mutually reinforcing devaluation of women and nature with a view to transforming existing forms of exploitation” (8).

Marti’s cookbook is a wonderful artefact in that it is was clearly one of her favourite cookbooks. The cover is stained and the pages are warped. It also has a lovely bookplate.

I’m also a big fan of lauren whose work with the Food Empowerment Project is unique and special. FEP’s mission is to create a more just and sustainable world by recognizing the power of one’s food choices. I appreciate how FEP situates veganism as integral to making

healthy food choices that reflect a more compassionate society by spotlighting the abuse of animals on farms, the depletion of natural resources, unfair working conditions for produce workers, and the unavailability of healthy foods in low-income areas.

Marti's bookplate

Marti’s bookplate

Founded in the mid-1970s, the Bloodroot Collective manages the Bloodroot vegan/vegetarian restaurant in Bridgeport, CT. During my first trip to the USA in 1980, I stayed with author Jim Mason who at that time was living nearby in Westport. I recall him taking me to Bloodroot during that trip. It is pleasing to see that Bloodroot is still going strong!

To learn more about the books in my archive, please visit my page on LibraryThing. This is a searchable database of more than 2,000 books mostly about animal rights and related matters.

 

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IARC 2013

September 15th, 2013 No comments
The IARC 2013 was held at the Kulturfabrik that was originally a slaughterhouse. Here, we look up at the ceiling to see the large hooks that moved the carcasses along the production line.

The IARC 2013 was held at the Kulturfabrik that was originally a slaughterhouse. Here, we look up at the ceiling to see the large hooks that moved the carcasses along the production line.

The International Animal Rights Conference in Luxembourg is an impressive event. It attracts animal advocates from across the world and produces an impressive program of speakers. It is also well organised and comprehensive and welcoming. Generally, the attendees are younger activists. They are thoughtful and passionate.

The conference is held at the Centre Culturel Kulturfabrik Esch which was formally a slaughterhouse and is now an arts complex with a restaurant, galleries, offices, and studios. I was not aware of this until I arrived and it was pointed out to me. So, attending the conference becomes a bizarre but creepy positive experience in that animal rights was being discussed inside an old slaughterhouse.

I was honoured with making the opening plenary presentation. I decided to present the paper I had written for the academic journal, Relations. This is because the paper, ‘Animal rights: Moral crusade or political movement?’, summarised my critique of the animal rights movement. Other presenters also addressed related issues about the movement’s ideology and strategy.

The conference organisers have opened a page in YouTube where it is possible to watch many if not all of the presentations made. These recordings are a valuable resource into the different views and perspectives made about animal rights and its ideology and strategy.

You can watch my presentation here. Please share with me your thoughts and comments on my thesis that the animal rights movement should be less like a moral crusade and more like a political movement. Thank you!

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NCSU Libraries Recognises My Animal Rights Work

June 4th, 2013 No comments

I received recently a much appreciated letter from Greg Raschke, Associate Director for Collections and Scholarly Communication at NSCU Libraries, recognising my work in support of the Tom Regan Animal Rights Archive at North Carolina State University.

I wanted to take this opportunity to thank you personally for all of the hard work you have put forth towards helping us build the Tom Regan Animal Rights Archive here at the North Carolina State University Libraries. As you know, the animal rights archive at NCSU is one of the best venues for scholars and activists to conduct research on the history and development of the animal rights movement. We hope to continue growing the collection and to encourage even more frequent use of the materials.

Your pivotal role in helping NCSU obtain the records of the Animal Rights Network was a key part in generating the momentum we needed as we sought to expand our animal rights collections. We are equally grateful that you have brought other collections to our attention, such as the Animal Rights/Animal Welfare Pamphlet Collection that we recently acquired. In April we released a press release announcing this acquisition and soon thereafter received a larger number of inquiries from researchers wanting to access the materials. No successful archive is built in isolation, and we are grateful for the collaboration of leading scholars such as Dr. Regan and leaders in the field such as you. Your contributions in connecting us with materials for purchase that are appropriate for the archive are most appreciated. We would like to build on these successes as we continue to grow the Tom Regan Animal Rights Archive.

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